Private Parts Howard Stern Pdf Reader
Howard Stern’s encyclopedic new collection, “Howard Stern Comes Again,” which Janet Maslin called “a hefty all-star tutorial on the art of the interview,” enters the list at No. 1. It’s much more nuanced than Stern’s first book, “Private Parts” (1993), which led The Times’s reviewer to all but throw up his hands: “Sorry, but I am not able to do that voice justice in this newspaper’s closely policed pages.” Stern recently talked about how much he’s mellowed since those days: “I feel less pressure now — not because of my age but because of therapy. I’ve realized I don’t have to hit you with a sledgehammer. It can just be a hammer.”
When Howard Stern’s Private Parts hit bookstores in 1993, it was an absolute sensation. The entire first printing sold out in a few hours. Soon, it became the fastest-selling book in the history.
Fired Up
Hafsah Faizal says her buzzed-about fantasy novel, “We Hunt the Flame” — No. 5 on the Y.A. list — is not meant to make a political statement. “There’s this automatic assumption that when an author of color creates a piece of art, it must be an allegory, which is one of the two reasons why ‘We Hunt the Flame’ isn’t connected to my faith — the other being that I didn’t feel comfortable mixing elements of Islam with fantasy,” she told Publishers Weekly. “I did, however, want to create a world that displayed the Middle East as it is: home to thousands and thousands of people — not the demonized and exoticized region that fiction and the media portray it as — in the hopes that someone will think, ‘Hey, we’re not so different from them after all.’”
Pitch Perfect
Private Parts Howard Stern Pdf Reader Online
“From the time I was 9, being on a mound was where I needed to be,” the pitching great David Cone writes in his memoir, “Full Count,” which debuts this week at No. 13. “I wanted to be the most important player on the field, I wanted every pair of eyes staring at me, and I wanted to be in control.”
The book — billed as “lessons from the World Series and beyond” — comes out 16 years after Cone’s retirement.
What took so long?
Well, for one thing, the best baseball writer alive, The New Yorker’s Roger Angell, published an elegant and elegiac book about Cone back in 2001, “A Pitcher’s Story.” If you want a peek into the mind of a major-league pitcher, it’s the one to read. “He throws an inordinate number of pitches and works with such intensity and combative fire that you sense that anything less might bring on disaster,” Angell wrote of Cone. “Nothing about him is simple.” In his review of “A Pitcher’s Story,” Pete Hamill summed it up this way: “Angell uses plain, graceful prose to tell the complex tale of Cone’s season without ever falling into glib psychobabble or wormy sentimentality.”
Howard Stern’s encyclopedic new collection, “Howard Stern Comes Again,” which Janet Maslin called “a hefty all-star tutorial on the art of the interview,” enters the list at No. 1. It’s much more nuanced than Stern’s first book, “Private Parts” (1993), which led The Times’s reviewer to all but throw up his hands: “Sorry, but I am not able to do that voice justice in this newspaper’s closely policed pages.” Stern recently talked about how much he’s mellowed since those days: “I feel less pressure now — not because of my age but because of therapy. I’ve realized I don’t have to hit you with a sledgehammer. It can just be a hammer.”
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Fired Up
Hafsah Faizal says her buzzed-about fantasy novel, “We Hunt the Flame” — No. 5 on the Y.A. list — is not meant to make a political statement. “There’s this automatic assumption that when an author of color creates a piece of art, it must be an allegory, which is one of the two reasons why ‘We Hunt the Flame’ isn’t connected to my faith — the other being that I didn’t feel comfortable mixing elements of Islam with fantasy,” she told Publishers Weekly. “I did, however, want to create a world that displayed the Middle East as it is: home to thousands and thousands of people — not the demonized and exoticized region that fiction and the media portray it as — in the hopes that someone will think, ‘Hey, we’re not so different from them after all.’”
Pitch Perfect
“From the time I was 9, being on a mound was where I needed to be,” the pitching great David Cone writes in his memoir, “Full Count,” which debuts this week at No. 13. “I wanted to be the most important player on the field, I wanted every pair of eyes staring at me, and I wanted to be in control.”
The book — billed as “lessons from the World Series and beyond” — comes out 16 years after Cone’s retirement.
What took so long?
Well, for one thing, the best baseball writer alive, The New Yorker’s Roger Angell, published an elegant and elegiac book about Cone back in 2001, “A Pitcher’s Story.” If you want a peek into the mind of a major-league pitcher, it’s the one to read. “He throws an inordinate number of pitches and works with such intensity and combative fire that you sense that anything less might bring on disaster,” Angell wrote of Cone. “Nothing about him is simple.” In his review of “A Pitcher’s Story,” Pete Hamill summed it up this way: “Angell uses plain, graceful prose to tell the complex tale of Cone’s season without ever falling into glib psychobabble or wormy sentimentality.”